Creative Team |
Michael Michetti (Director) is the co-artistic director of The Theatre @ Boston Court in Pasadena, where his directing credits include Aaron Posner’s Stupid F**king Bird, plus world premieres of Eric Whitacre’s Paradise Lost: Shadows & Wings, his own adaptation of Oscar Wilde’s A Picture of Dorian Gray and Tom Jacobson’s The Twentieth-Century Way, which went on to have an acclaimed run at New York’s Rattlestick Playwrights Theater. His other directing credits include Jacobson’s Captain of the Bible Quiz Team for Rogue Machine Theatre; Figaro, The Grapes of Wrath, Hamlet, Don Juan and As You Like It at A Noise Within; Brecht’s Edward II for Circle X; Amy’s View, starring Carol Lawrence, at Florida Repertory Theatre; Noises Off at PlayMakers Repertory Company; A Life in the Theatre, starring Hal Holbrook, at Pasadena Playhouse; Kiss Me, Kate, Carousel and Man of La Mancha at Reprise Theatre Company. He has received two Ovation Awards and five Los Angeles Drama Critics Circle Awards for his direction.
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Dan Conway (Scenic Design) previously designed The Tempest for SCR, American Repertory Theater and Chicago Shakespeare Theater, directed by Aaron Posner and Teller. His recent projects include Penn & Teller on Broadway, directed by John Rando; At Wit’s End, Love in Afghanistan and Vanya and Sonia and Masha and Spike for Arena Stage; the premiere of American Song directed by Mark Clements for Milwaukee Repertory Theater; The Game’s Afoot for Cleveland Play House; Company, Hairspray, Chess and Sunset Boulevard directed by Eric Schaeffer for Signature Theatre; Sabrina Fair for Ford’s Theatre; and The Merry Wives of Windsor for Shakespeare Theater Company. His current and upcoming productions include Jelly’s Last Jam, directed by Matt Gardiner for Signature Theatre; At Wit’s End directed by David Esbjornsen for Cincinnati Playhouse in the Park; and Hand to God, directed by Joanie Schultz, Three Sisters, directed by Jackson Gay, and the premiere of No Sisters written and directed by Aaron Posner for Studio Theatre. He has been nominated 12 times for the Helen Hayes Award for Outstanding Set Design, and received the award in 2000, 2009 and 2015 for Stunning at Woolly Mammoth Theatre, directed by Anne Kaufmann.
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Garry Lennon (Costume Design) is a Los Angeles-based costume designer. Previously, at SCR, he designed costumes for Jane of the Jungle. This summer, he designed Independent Shakespeare Company’s production of Richard III. At The Theatre @ Boston Court, he designed Colony Collapse, My Barking Dog, Seven Spots on the Sun and The Missing Pages of Lewis Carroll. He also has designed for Reprise Theatre Company’s productions of Kiss Me, Kate, Carousel, Man of La Mancha and Flora, the Red Menace. His work was seen in Cornerstone Theater Company’s It’s All Bueno, Los Illegals, Waking up in Lost Hills and Mary Shelley’s Santa Claus, and the premiere productions of Sister Act at Pasadena Playhouse and Alliance Theatre. He has designed at Bard SummerScape, Mixed Blood Theatre, Dallas Children’s Theater and the International City Theatre. Lennon is a professor and the chair of the Theatre Department at California State University, Northridge.
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Elizabeth Harper (Lighting Design) returns to SCR, where she previously designed Office Hour, Venus in Fur, tokyo fish story and Reunion. Her design credits include Ma Rainey’s Black Bottom and Immediate Family (Mark Taper Forum); A Raisin in the Sun, Woman Laughing Alone with Salad and Throw Me on the Burnpile and Light Me Up (Kirk Douglas Theatre); Play Dead, Wait Until Dark, Bad Jews and Good People (Geffen Playhouse); The Twentieth-Century Way and The Golden Dragon (The Theatre @ Boston Court); and Crescent City (The Industry). She served as a technical consultant for installations at Los Angeles County Museum of Art and Greene Naftali. Her industrial lighting projects include events for Microsoft, On-Live, Ubisoft and Universal Studios. Harper holds an MFA in design for stage and film from Tisch School of the Arts at New York University. She is a guest lighting design instructor and lecturer at CalArts.
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Peter Bayne (Sound Design/Original Music) returns to SCR, where he previously designed Office Hour and James and the Giant Peach. His other theatre credits include A Noise Within (The Tempest, You Can Never Tell), The Fountain Theatre (Baby Doll, Dream Catcher, Painter Rocks of Revolver Creek, Citizen, Reborning, The Brothers Size, Broomstick, In the Red and Brown Water, The Normal Heart, The Blue Iris, Cyrano, On the Spectrum, Bakersfield Mist, Opus, Coming Home, El Nogalar, Shining City), Antaeus Theatre Company (Cloud 9, Henry IV Part 1, The Liar, The Malcontent), Rubicon Theatre Company (Other Desert Cities), The Colony Theatre Company (Year Zero), The Actors’ Gang (Break the Whip), Rogue Machine Theatre (Lost Girls), Skylight Theatre Company (Forever House, Disconnection), Theatre of Note (Copy) and The Elephant Theatre Company (Unorganized Crime, Twilight of Schlomo, Parasite Drag, 100 Saints You Should Know, Revelation). His other regional credits include American Repertory Theater, Commonwealth Shakespeare Company, Shakespeare and Company and Actors’ Shakespeare Project. Bayne is active as a composer in film and television. He produces dance music and performs in indie bands. He earned a BA in music from Vassar College and an MFA in composition and theory from Brandeis University. peterbayne.com
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Sean T. Cawelti (Projection Design) graduated from the University of California, Irvine, with his BA in drama with honors in directing and studied puppetry at Tisch School of the Arts at NYU. He is the founding artistic director of Rogue Artists Ensemble, a multi-media, puppet and mask company in Los Angeles. He has won awards for his work as a designer, director and playwright, honored with a UNIMA Citation of Excellence for Gogol Project and was presented the 2015 Sherwood Award by the Center Theatre Group in Los Angeles for his work as a director. Cawelti was selected by the City of Los Angeles’ Cultural Affairs Department to travel to Brazil for two months to study woodcarving and Candomblé, a religion born of African and Catholic traditions. His directing and design work has been seen at the Getty Villa, SCR, Segerstrom Center for the Arts, Cornerstone Theater Company, Chicago Opera Theater, L.A. Theatre Works, Geffen Playhouse, New York City Opera, Imago Theatre in Portland and the Center for Puppetry Arts in Atlanta. He has designed puppets, masks, props and video for theatre, music videos, museums, concerts and arena shows including the recent Kanye West Yeezus world tour. seancawelti.com
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Sammy Brown (Stage Manager) returns to SCR after previously assisting on The Madwoman in the Volvo. His off-Broadway credits include Summer Valley Fair (Theatre 3, New York Musical Theatre Festival) and The Old Man and the Old Moon (New Victory Theater). Brown has worked regionally with Laguna Playhouse, The Actors Fund in Los Angeles, Chicago Shakespeare Theater, Williamstown Theatre Festival and Hope Summer Repertory. He holds a BS in stage management from the University of Evansville and an MFA in drama from the University of California, Irvine.
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