Nate the Great
​based on the book by Marjorie Sharmat
​all ​rights ​reserved
​book and ​lyrics by John Maclay
​music and ​lyrics by Brett Ryback
​orchestrations and ​arrangements by Brett Rybackk
directed by ​​​Kari Hayter
JULIANNE ARGYROS STAGE
November 2, 2018 - November 18, 2018

Nate the Great, the world’s greatest kid detective, loves solving mysteries—almost as much as eating pancakes. When Annie’s special painting of her dog, Fang, goes missing, Nate’s on a new case! Did Fang bury it? Is Rosamond, who prefers cats over dogs, up to foul play? Come along as Nate searches for clues and gathers the facts in this clever musical that teaches us to see the world in new ways.

Previews: November 2-9, 2018
Regular Performances: November 10-18, 2018

Recommendation: Grades K–6. Theatre for Young Audiences … and Their Families is just that, a multi-generational experience for all ages (unfortunately, no children under the age of four and babes-in-arms). The only requirement is that each audience member occupies a seat and sits quietly through the performance while having a wonderful time

Running Time: Theatre for Young Audiences performances are never more than 90 minutes.

John Maclay is a playwright who specializes in adapting works for young audiences. His plays and musicals include Goosebumps the Musical: Phantom of the Auditorium (with Danny Abosch), Geronimo Stilton: Mouse in Space, Just a Little Critter Musical (with Brett Ryback), Nancy Drew and Her Biggest Case Ever (with Jeff Frank), Anatole (with Lee Becker and James Valcq) and a new version of Robin Hood (with Joe Foust). His upcoming projects include writing words for the new musical, The Legend of Rock Paper Scissors, and a new play about Greek mythology. In addition to a busy schedule as playwright and adaptor of literature for the stage, Maclay proudly serves as director of artistic development at First Stage in Milwaukee, Wis., one of America’s largest and most respected theatres for young audiences. Maclay has been working with First Stage in one form or another since 2000 and has directed or appeared in more than 25 First Stage productions (from classics to world premieres), as well as having produced more than 50 productions for the First Stage high school programs. His work as an actor or director has also been seen at the Utah Shakespeare Festival, Chicago Shakespeare Theater, Milwaukee Shakespeare Company, Defiant Theatre, Bunny Gumbo, Bialystock and Bloom, Skylight Opera Theatre and others. When not doing all of that, he is busy teaching theatre at Carthage College in Kenosha, Wis.

Brett Ryback is an actor, composer/lyricist, and playwright based in LA. He is the recipient of the ASCAP Foundation’s Cole Porter Award. His plays and musicals include Joe Schmoe Saves the World (National Alliance for Musical Theatre 2016, ASCAP/Dreamworks Workshop); Liberty Inn: The Musical (Ovation Award nominations: Best Book, Best Music/Lyrics); Darling (Weston Playhouse New Musical Award); The Tavern Keeper’s Daughter (Best Musical, Pasadena Weekly), and Just a Little Critter Musical (First Stage). His plays Weïrd and A Roz By Any Other Name are both published in The Best American Short Plays 2007-2008. His musical Passing Through was developed at the Rhinebeck Writer’s Retreat and the Johnny Mercer Writers Colony at Goodspeed Musicals, where it was recently featured in their New Works Festival. As an actor, he originated the role of Marcus off-Broadway in Murder for Two. His SCR appearances include the world premieres of Shrew!, The Prince of Atlantis and Doctor Cerberus. His recent TV and film appearances include “Mom,” “Modern Family,” “How I Met Your Mother,” Hail, Caesar!, and the Lifetime movie, The Assistant. Ryback is currently writing a musical podcast called In Strange Woods. He created the online accompanist website PlayThisForMe.com, and he teaches musical theatre at the University of Southern California. brettryback.com


HONORARY PRODUCERS
​Phyllis & Larry Hogle

 
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