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by Talene Monahon
directed by Caitlin Sullivan
Julianne Argyros Stage
World Premiere
Part of the Pacific Playwrights Festival

Apr. 12-May 3, 2026

SEASON PRODUCER
Apriem Advisors

HONORARY PRODUCERS
Nickie & Mickey Williams
The Playwrights Circle

MEDIA PARTNERS
LAist

EAT ME

Chris loves fine cuisine. He spends hours in a corner of the internet where like-minded foodies share their extraordinary culinary experiences. Stevie doesn’t eat fish with souls, Beatrice and Jen just baked a flax loaf and Cindy might have salad, later. In this wildly imaginative play by one of The New York Times’ Rising Theatre Stars of 2023, everyone is longing for something that makes them feel full—and when the meal is over, maybe they’ll be transformed.

Previews: Apr. 12 - May 3, 2026
Opening Night: Apr. 17, 2026
Regular Performances: Apr. 18 - May 3, 2026
American Sign Language Performance: Saturday, Apr. 25, 2026, at 2 p.m.

Recommendation: Ages 16+

Running time: Approximately 100 minutes with no intermission.

Talks and Conversations


Eat Mee and Knife Pleat

A Gourmet Evening
With this limited-time pairing, enjoy a Prix Fixe Preview Menu from Michelin-starred Knife Pleat, followed by a performance of Eat Me.


Fast Facts about Talene Monahon

Writer of the Off-Broadway Hit
Meet the Cartozians

A New York Times Rising Theatre Star (2023)

The Good John Proctor one of The New Yorker’s “Top 10 Best Plays of 2023”

How to Load a Musket ranked #3 on TheaterMania’s “10 Best Theater Productions of 2020”

Buy Tickets

About the Creative Team

Jake Borelli

Jake Borelli* (Stevie) is making his South Coast Repertory debut. Coming off an eight-year series regular stint on “Grey’s Anatomy,” playing the show’s first openly gay male doctor, Levi Schmitt, Borelli is excited to return to the stage. Some of his past theatre credits include the Antaeus Theatre Company’s production of Picnic and Paris Barclay’s production of The Normal Heart. He can also be seen starring in Freeform’s The Thing About Harry, Nickelodeon’s “The Thundermans” and Netflix’s #REALITYHIGH.


Sheldon D. Brown

Sheldon D. Brown* (Chris) (he/him) is delighted to make his South Coast Repertory debut. His credits include Goodman Theatre (Fat Ham), Steppenwolf Theatre Company (Choir Boy, 1919), Court Theatre (Othello, Oedipus, Man In The Ring) and Roundabout Theatre Company (A Soldier’s Play Broadway tour). Film and TV acting and writing credits include Cicada (Spirit nominated, Best First Screenplay) and “The Big Leap” (FOX), as well as appearances in music videos for emerging icons Sapphira Cristál of RuPaul’s Drag Race and Daniel Kyri. Brown received his BFA in Acting from Emerson College and is represented by Innovative Artists and Stewart Talent Chicago. IG: @sbterance


Anne Gee Byrd

Anne Gee Byrd* (Cindy) previously appeared at SCR as Mrs. Higgins in Pygmalion and as the mother in The Beauty Queen of Leenane. She has performed locally at Mark Taper Forum, Kirk Douglas Theatre, Geffen Playhouse, Pasadena Playhouse, La Mirada Theatre, Ensemble Theatre Company in Santa Barbara, as well as across the country, including American Conservatory Theater in San Francisco, American Shakespeare Theatre in Connecticut, Cincinnati Playhouse in the Park, Great Lakes Theater Festival, Indiana Repertory Theatre, La Jolla Playhouse, McCarter Theatre Center, The Old Globe in San Diego and Seattle Rep. She is a staunch member of the Antaeus Theatre Company. She has received four Drama Critics Circle Awards and numerous Ovation nominations. Her television credits include “Lucky Hank,” “911,” “NCIS: Los Angeles,” “How to Get Away with Murder,” “Shameless,” “Murder in the First” and “Rake.”


Carolyn Ratteray

Carolyn Ratteray* (Jen) is an actor, director and writer based in the Los Angeles area. She has appeared Off-Broadway and in regional theatres as well as in TV/film and voice-overs. Credits include appearances at Mark Taper Forum, Geffen Playhouse, Pasadena Playhouse, Boston Court Pasadena, A Noise Within, Antaeus Theatre Company, The Echo Theater Company and Garry Marshall Theatre. Regional theatres include The Old Globe and the Classical Theatre of Harlem. She has studied theatrical clown and her one-woman show, Both And (A Play About Laughing While Black) played at Boston Court, Wallis Annenberg Center for Performing Arts and the International Black Theatre Festival, while her original comedy pilot, UnClaimed, had a successful film festival run. Some film and television credits include “The Lincoln Lawyer,” “Grey’s Anatomy,” “Riley Parra,” Season of Love, “Castle,” “NCIS,” “All My Children,” “Chemistry,” “The Young and the Restless” and “Law & Order: Criminal Intent.” Education/Training: M.F.A., The Old Globe/University of San Diego; B.F.A., New York University.


Kacie Rogers

Kacie Rogers* (Beatrice) (she/her) is a two-time NAACP Award–winning actor, writer, producer and voice artist trained at AMDA College and Conservatory of the Performing Arts. Her television credits include “Curb Your Enthusiasm,” “Grace & Frankie,” “Grand Crew” and “Home Economics,” and she is currently recurring on season two of “The Pitt” on HBO Max. She has performed with several theatres across Los Angeles, including The Getty Villa (The Heal), Geffen Playhouse (Furlough’s Paradise), A Noise Within (The Bluest Eye, King Hedley II), The Echo Theater Company (Berta, Berta) and Boston Court Pasadena (Octopus’s Garden). Her solo show, I Sell Windows, was produced in Los Angeles with Outside In Theatre, co-produced by Bottle Tree Theatre Co., and later performed at the Edinburgh Festival Fringe. She is the co-founder of Bottle Tree Theatre Co. and founder of Kacie Rogers Coaching. kacierogerscoaching.com | @kacie.rogers


Jeorge Bennett Watson

Jeorge Bennett Watson* (The Courmand) (he/him/his/king) is making his SCR debut. He is a stage and screen actor whose career spans more than three decades across classical repertory, contemporary drama, and world premiere development. He most recently created the role of Johnny Pierce in the world premiere of Relentless, written by Rae Binstock, at Syracuse Stage. In 2025, he portrayed David, Henry, and Mike in Amina Henry’s world premiere Interstate Off-Off Broadway. Regional theatre credits include The Piano Lesson at Arena Stage, Two Trains Running at Hartford Stage, and repertory performances in Coriolanus and Timon of Athens at Utah Shakespeare Festival. He has also appeared at Williamstown Theatre Festival and Berkeley Repertory Theatre. Television credits include HBO’s “The Wire,” CBS’s “Blue Bloods” and NBC’s “Law & Order: Organized Crime.” He studied at Atlantic Acting School. Instagram: @thejeorgebennettwatson

Talene Monahon is a Brooklyn-based playwright of Armenian descent. Her play Meet the Cartozians premiered at Second Stage Theater in October 2025, directed by David Cromer, and was a New York Times Critic’s Pick, as well as ranking on Vulture’s “Top 10 Best Plays of 2025” and TheaterMania’s “Top 5 Plays of 2025.” Other plays include: The Good John Proctor (dir. Caitlin Sullivan, The New Yorker’s “Top 10 Best Plays of 2023”), Jane Anger (dir. Jess Chayes, 2022 Off-Broadway Alliance Best New Play Nominee) and How to Load a Musket (dir. Jaki Bradley, TheaterMania’s “The 10 Best Theater Productions of 2020”). Regional and international productions include Trinity Repertory Company, Shakespeare Theatre Company of D.C., Warehouse Theatre, Shakespeare in Detroit and London’s Jermyn Street Theatre. Monahon teaches Playwriting at the Sewanee Writers’ Conference. Upcoming plays: Wonder! A Woman Keeps a Secret (dir. Aileen Wen McGroddy, Northern Stage, 2026). B.A. Dartmouth College.

Caitlin Sullivan (Director) is a New York-based director and theatre maker. She previously collaborated with Talene Monahon on the world premiere of The Good John Proctor (Bedlam, The New Yorker’s Best Theatre of 2023). Other recent work includes the world premieres of Calf Scramble (Primary Stages); Ohio (Edinburgh Fringe, Bristol Old Vic, Fringe First Award); The Antiquities (Playwrights Horizons, Vineyard Theatre, Goodman Theatre, Drama Desk nomination for Outstanding Director); The Keep Going Songs (LCT3, Obie Award); Find Me Here and WORK HARD HAVE FUN MAKE HISTORY (Clubbed Thumb); Nova (The Lyceum Edinburgh, Pemberley) and Sanctuary City (New York Theatre Workshop). Sullivan was a founding member and the Artistic Director of Seattle’s critically acclaimed Satori Group. She is a graduate of Williams College, an alum of the Drama League Directors Project and Next Stage Artist Residency, a former Clubbed Thumb Directing Fellow and a New Georges Affiliate Artist. caitlinesullivan.com


Nicholas Ponting (Scenic Design) is a set designer, installation and stained-glass artist based in San Diego. His work has been seen at TheaterWorks Hartford, La Jolla Playhouse, The 5th Avenue Theatre, IAMA Theatre Co., Boston Court Pasadena, LA Opera, Chautauqua Theater Company, Antaeus Theatre Company, Detroit Public Theatre and others. Ponting is the associate scenic designer and installation supervisor for Optika Moderna, creating immersive theatrical experiences. Recent Optika collaborators: La Jolla Playhouse, Museum of Contemporary Art San Diego and The New Children’s Museum of San Diego. He has also worked as a stained glass artist for over 15 years, creating contemporary stained glass and teaching at his studio. You can see two of his windows in the exhibition Space Makers at La Jolla Historical Society. He is the Interim Head of Scenic Design at San Diego State University. He earned his MFA at UC San Diego and his BA at Western Washington University. nicholasponting.com IG: @nicholasponting


Samantha C. Jones (Costume Design) (she/her) is excited to join South Coast Repertory for this world premiere. She is a costume designer and educator with previous design credits at Geffen Playhouse, Center Theatre Group, Oregon Shakespeare Festival, Huntington Theatre Company, Goodman Theatre, Court Theatre, Paramount Theatre (Aurora), Steppenwolf Theatre Company, Northlight Theatre, Drury Lane Theatre, Writers Theatre, Lookingglass Theatre Company, Chicago Children’s Theatre, TimeLine Theatre, Porchlight Music Theatre, Jackalope Theatre, Cleveland Play House, Kansas City Repertory Theatre, Alley Theatre, Seattle Children’s Theatre, First Stage Theatre, Skylight Music Theatre, Indiana Repertory Theatre, Peninsula Players Theatre and others. Her work can be viewed at samanthacjones.com.


Isabella Byrd (Lighting Design) is a Lighting Designer for live performance. Broadway work includes Cabaret, Dog Day Afternoon, Romeo + Juliet and An Enemy of the People. Her 2024 Broadway debut season received double Tony Award nominations. Byrd is the recipient of a Drama Desk Special Award for her work in the 2023-24 season, on and Off-Broadway. Selected designs and world premieres include Caryl Churchill’s Glass. Kill. What If If Only. Imp. (The Public Theater), Infinite Life (Annie Baker), Primary Trust (Eboni Booth), Weather Girl and Epiphany (Brian Watkins), Sanctuary City (Martyna Majok), Jeremy O. Harris’ DADDY: A Melodrama and multiple plays by Will Arbery: Heroes of the Fourth Turning, Corsicana and Plano. Most recently, she designed You Got Older (Clare Barron) and Prince Faggot (Jordan Tannahill). International designs in London and Edinburgh and regionally across the U.S. Honors include three Lortel Awards, two Obies, a Henry Hewes, and has been featured in The New Yorker. She is a proud USA829 union member, supporting pay equity and sustainability. isabellabyrd.design


Lee Kinney (Composer) is a music producer and sound designer based in New York City, working in theatre, events and film. His Broadway credits include Fear of 13 (starring Adrien Brody and Tessa Thompson) and Is This A Room. His select Off-Broadway and regional credits include Prince Faggot (Studio Seaview, Playwrights Horizons, Soho Rep); Meet the Cartozians, Walden (Second Stage Theatre); The Gig: After Moise (Williamstown Theatre Festival); The Good John Proctor (Bedlam), You Will Get Sick, Exception to the Rule (Roundabout Theatre Company); Selling Kabul (Playwrights Horizons); DADDY: A Melodrama (Vineyard Theatre, The New Group, Almeida Theatre); Help (The Shed), Prayer For The French Republic, Morning Sun (Manhattan Theatre Club); and Virgin Voyages. He has won or been nominated for Sound Design awards from Outer Critics Circle, Lucille Lortel, Drama Desk, Henry Hewes and Joseph Jefferson awards. Thanks to Kris.


evan cook (Sound Design) (he/him) is a New York City-based sound designer. He is honored to make his South Coast Repertory debut on Eat Me, thanks to the support of the SCR staff and the Eat Me creative team. Recent sound design: My First Nutcracker 2025 at New York City Children’s Theater and for imissmycafe.com. Find his website at evancook.audio.


Eric Shethar (Dramaturg) (he/him) is a dramaturg, creative producer and curator who is one of the Co-Directors of Brooklyn’s The Brick Theater. Some favorite past collaborators include Liza Birkenmeier, Vichet Chum, fake friends (Michael Breslin & Patrick Foley), Young Jean Lee, Erin Markey, Peter Mills Weiss & Julia Mounsey, River Ramirez, Mei Ann Teo, Else Went and Whitney White at institutions including Ars Nova, Chautauqua Theater Company, iHeartRadio, The Mercury Store, The Public Theater, Second Stage, South Coast Repertory (two seasons of the Pacific Playwrights Festival), the Williamstown Theatre Festival (two seasons) and WP Theater, where he is currently developing an original piece with magician Rachel Wax and Anne Kauffman. He currently teaches Dramaturgy at NYU’s Playwrights Horizons studio, and his writing on performance and nightlife has appeared in Culturebot, The Helix Queer Performance Network, and the 2024 and forthcoming 2025 Honcho Campout Zine.


Joanne DeNaut, CSA (Casting), is Casting Director for The LAB@SCR and served as SCR’s full-time Casting Director for more than three decades, casting over 300 productions from classics to world premieres by the country’s leading playwrights. In addition, she has cast numerous workshops and readings, including the Annual Pacific Playwrights Festival. She has also consulted and cast for other theatres, including Denver Center for the Performing Arts, Seattle Repertory, Center Theatre Group, and La Jolla Playhouse, as well as in collaborations with The Public Theater, Manhattan Theatre Club, Baltimore Center Stage, and Berkeley Repertory. Film credits include work with Octavio Solis, the American Film Institute and as a casting associate on various film and television projects. She also served as the Casting Director for USC’s MFA New Works Festival as well as Ojai Playwrights Conference. DeNaut currently teaches the Audition class at Saddleback Community College and additional classes at UCI, Cal State Fullerton and USC. She is a member of CSA.


The Telsey Office (Additional Casting). With offices in both New York and Los Angeles, The Telsey Office casts for theatre, film, television, and commercials. The Telsey Office is dedicated to creating safe, equitable, and anti-racist spaces through collaboration, artistry, heart, accountability, and advocacy. Please visit thetelseyoffice.com for our credits.


Angela Lopes (Stage Manager) (she/they) is stage managing their first show at South Coast Repertory and they are so thankful to be here! Lopes grew up in Santa Cruz, CA and is a proud graduate of Cabrillo College (AA Theatre Arts) and Ithaca College (BFA Stage Management). Work includes the Off-Broadway productions of Life and Trust, and Burnout Paradise. Some favorite New York and regional credits include El Mentiroso (Arts on Site), The Picher Project (Dixon Place), Sweeney Todd (Cabrillo Stage), Rusalka (Opera Ithaca), A Christmas Carol (Santa Cruz Shakespeare), and No Child… (Kitchen Theatre Company). Much love to family, friends, and mentors. Enjoy the show!


Kyrsten Goodrich (Assistant Stage Manager) (she/her) was born and raised in California, where she earned her BA in Theatre from CSU Chico in 2016 and her MFA in Stage Management from UC Irvine in 2021. She focuses on implementing anti-racist and stage intimacy training across all her work and enjoys guest lecturing in Stage Management courses whenever possible. Her credits include Man of La Mancha (Musical Theatre West); The Incredible Book Eating Boy, The Heart Sellers (South Coast Repertory); The Inheritance: Part 1 & Part 2, Who’s Afraid of Virginia Woolf? (Geffen Playhouse); The Rocky Horror Show (Cygnet Theatre); Escape to Margaritaville, Steel Magnolias, A Christmas Carol, The Amish Project (Theatre SilCo); The SpongeBob Musical, Young Frankenstein, The Who’s Tommy, Cabaret, Jesus Christ Superstar and others (Clinton Area Showboat Theatre); Disney’s The Little Mermaid, Chicago (The Lexington Theatre Company). Cheers!

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