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The Theatrical Event of the Season!

Two Tony Award-winning plays performed in repertory, alternating nightly, with one set, overlapping casts and unlimited firepower! One is a celebrated American classic and the other a celebrated smash hit. See them both and experience every exhilarating moment

by Yasmina Reza
translated by Christopher Hampton
directed by Marco Barricelli
Segerstrom Stage

Jan. 23 – Mar. 21, 2026

SEASON PRODUCER
Apriem Advisors

LEAD REPERTORY PRODUCER
Michael Ray

REPERTORY PRODUCERS
Richard & Lisa Rawlins de Lorimier

HONORARY PRODUCERS
Elaine & Mike Gray

CORPORATE PRODUCERS
Haskell and White

MEDIA PARTNERS
LAist

Support for this production provided by
The Nicholas Endowment

GOD OF CARNAGE

In gentrified Brooklyn, a playground fight between 11-year-old boys brings four parents together to resolve their sons’ conflict. At first, diplomacy rules. But as each parent reveals their demands, the living room peace summit spirals into a riotous free-for-all of opposing parenting styles, conflicting personalities and marital tensions. A brilliant and biting comedy of manners (without the manners) Variety called “Elegant, acerbic… Reza’s sharpest work since Art.”

Previews: Jan. 23-28, 2026
Opening Night: Jan. 30, 2026
Regular Performances: Jan. 31 - Mar. 21, 2026
American Sign Language Performance: Saturday, Feb. 14, 2026 at 2 p.m.

Recommendation: Ages 16+

Running time: Approximately one hour and 20 minutes no intermission.

Press Room

Digital Program

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Video

The Event of the Season

Part 1

The Event of the Season

Part 2

Here's the Story

God of Carnage

About the Creative Team

Dan Donohue

Dan Donohue* (Michael) returns to SCR, where he last appeared as Francis Henshall in One Man, Two Guvnors. On Broadway and on the national tour, he played Scar in The Lion King. A longtime member of the Oregon Shakespeare Festival, he appeared in more than 30 productions playing such roles as Richard III, Iago, Prince Hal, Henry V and Hamlet. His work has also been seen at Yale Repertory Theatre, Goodman Theatre, Geffen Playhouse, Berkeley Repertory Theatre, Long Wharf Theatre, Seattle Repertory Theatre and many others. Film and television work includes Magazine Dreams, “High Potential,” “Government Cheese,” and recurring roles in “Wonder Man,” “For All Mankind,” “Longmire,” “Damnation,” “Strange Angel,” and “The Last Tycoon.” He is an inaugural Lunt-Fontanne Fellow.


Melinda Page Hamilton

Melinda Page Hamilton* (Veronica) Her theatre credits include Rear Window (Hartford Stage), Cornelia, Bell, Book And Candle and All My Sons (The Old Globe); The Royal Family (Ahmanson Theater, Arena Stage); To Fool The Eye (Guthrie Theater); Cyrano (Cleveland Play House); The Seagull (George Street Playhouse) and numerous productions at New York’s Ensemble Studio Theatre. Television credits include series regular roles on “The Peripheral” (Amazon Studios), “Messiah” (Netflix), “Damnation” (FX) and recurring roles on “Mrs. America” (FX), “Devious Maids” (ABC), “Desperate Housewives” (ABC), “Mad Men” (AMC), “How to Get Away With Murder” (CBS ) and many others. Her film credits include Sleeping Dogs Lie, for which she was nominated for a Gotham Award for Breakthrough Actor; M.O.M. and God Bless America. She received her MFA from NYU. She is delighted to be making her SCR debut 33 years after her father, Frank Hamilton, appeared in the original production of Prelude to a Kiss here in 1988.


Derek Manson

Derek Manson* (Alan and Michael Understudy) returns to SCR after appearing in last season’s Little Shop of Horrors (Orin). Past SCR credits include Snow White (Four), Tiger Style! (Russ), You’re a Good Man, Charlie Brown (Snoopy) and the 2022 and 2023 Pacific Playwrights Festivals. Recent credits include Musical Theatre West’s Into the Woods (The Baker), and Disney’s Frozen with McCoy Rigby Entertainment in La Mirada. Last fall he was seen in Inkwell Theater’s world premiere play Paper Walls on the Broadwater Main Stage in Hollywood. Los Angeles stage credits include The Bicycle Men, Neil Simon’s Musical Fools, The Gary Plays, Room Service, The 39 Steps, Life Expectancy, The Brat Pack, Love Actually in Concert, Sunny Afternoon, King Dick, 1984, The Bewildered Herd, Making Paradise and Second City This Week. Television and and voice over credits include “Jimmy Kimmel Live!” “The Last Tycoon,” “UnREAL,” and SNL’s “Best of TV Funhouse.”


Kim Martin-Cotten

Kim Martin-Cotten* (Annette) is a producer, director, actor and educator. From Fall of 2021 to Summer of 2025 she held the positions of SCR’s Associate Artistic Director and Co-director of the Pacific Playwrights Festival. Before joining SCR she held the positions of Artistic Producer and Associate Director of New Works for Kansas City Repertory Theatre. Prior to that, as the founding Artistic Producer of Off-Broadway company Hang A Tale, she was producing in New York from 2014 through 2019, developing new work and reimagining classics. As an actor, she has performed regionally across the country, and in New York, she has been seen both off and on Broadway. Her latest work as an actor was covering both Cynthia Nixon and Laura Linney in the rotating roles of Regina and Birdie for the Broadway production of The Little Foxes. She also performed in Merchant of Venice as Portia opposite Al Pacino on Broadway in Lily Rabe’s absence. She was nominated for a Drama Desk Award for her performance as Josie in Moon for the Misbegotten at Pearl Theatre. She has also taught acting at Yale School of Drama. As a director, she recently directed The Old Man and The Old Moon at Outside SCR, and co-directed Million Dollar Quartet. Other directing projects include The Dumbwaiter, Cabaret, Death of A Salesman, Proof and The Taming of the Shrew. She also served as Project Assistant to Anna Deavere Smith on her initial production of House Arrest: First Edition at Arena Stage.


Brian Vaughn

Brian Vaughn* (Alan) returns to SCR after playing Georg in She Loves Me. He recently finished touring the country in the Tony Award Winning Best Musical Revival of Parade and before that in the Broadway first national tour of Beetlejuice. Recent credits include Sweet Smell of Success at Jazz at Lincoln Center and Claudius in Hamlet at the Denver Center Theatre Company. Vaughn appeared in more than 60 productions in over 25 years at the Utah Shakespeare Festival and 13 years as a Resident Company Member at Milwaukee Repertory Theater. Regional credits include Arizona Theatre Company, Chicago Shakespeare Theater, Milwaukee Chamber Theatre, Northlight Theatre, PCPA, Skylight Music Theatre. Favorite roles include Hamlet, Henry V, Cyrano de Bergerac, Iago in Othello, The Poet in An Iliad, Charlie in Stones in his Pockets, Javert in Les Misérables, Harold Hill in The Music Man and Mozart in Amadeus. brianvaughnofficial.com / @brianvaughn11


Paige Lindsey White

Paige Lindsey White* (Annette and Veronica Understudy) appeared at SCR previously in Abundance and Kings. Other favorite credits include Eliza Doolittle in Pygmalion (Pasadena Playhouse); Pericles, Polonius and Malvolio (Santa Cruz Shakespeare); Scrooge in A Christmas Carol (Sierra Repertory Theatre); Other Desert Cities (Arizona Theatre Company and Indiana Repertory Theatre); At Home at the Zoo (The Wallis); Titania/Hippolyta in Mendelssohn’s A Midsummer Night’s Dream (Disney Concert Hall); Fallen Angels and Hamlet (Ensemble Theatre Company); Rapture Blister Burn (San Diego Repertory Theatre); Trying and Ghost-Writer (International City Theatre); The Children, RII and With Love and a Major Organ (Boston Court Pasadena); Walking the Tightrope (24th Street Theatre) and the international tour of The Trial of the Catonsville Nine (The Actors’ Gang). On television, she appeared in “Shameless,” “American Woman,” “Corporate,” “Days of Our Lives” and “TV Funhouse.” She is the winner of a LA Drama Critics’ Circle Award for Lead Performance. paigelindseywhite.com

Yasmina Reza is a French playwright and novelist, based in Paris, whose works have all been multi-award-winning, critical and popular international successes, produced worldwide and translated into 35 languages. She has written seven plays (Conversations After a Burial, The Passage of Winter, Art, The Unexpected Man, Life X 3, A Spanish Play, God of Carnage, How You Talk the Game) and six novels (Hammerklavier, Une Desolation (Desolation), Adam Haberberg, Dans la Luge d’Arthur Schopenhauer, Nulle Part and L’Aube, le Soir ou la Nuit (Dawn Dusk or Night). Her films include Le Pique-Nique de Lulu Kreutz, directed by Didier Martiny and Chicas, written and directed by the author.

Christopher Hampton plays and musicals have so far garnered four Tony Awards, three Olivier Awards, four Evening Standard Awards, and the New York Drama Critics’ Circle Award; prizes for his film and television work include an Oscar, two BAFTAs, a Writers’ Guild of America Award, the Prix Italia, a Special Jury Award at the Cannes Film Festival, Hollywood Screenwriter of the Year and The Collateral Award at the Venice Film Festival for Best Literary Adaptation. Original plays: Appomattox, The Talking Cure, White Chameleon, Tales from Hollywood, Treats, Savages, The Philanthropist, Total Eclipse and When Did You Last See My Mother? Adaptations from novels: Youth Without God (Horváth), Embers (Márai), and Les Liasons Dangereuses (Laclos). Musicals: Stephen Ward, Dracula: The Musical and Sunset Boulevard. Libretti: Appomattox, The Trial and Waiting for the Barbarians (all for Philip Glass). Translations include plays by Chekhov, Ibsen, Molière, Horváth, Yasmina Reza and Florian Zeller. Film includes: Ali and Nino, A Dangerous Method, Chéri, Atonement, The Quiet American, Dangerous Liaisons, The Good Father, The Honorary Consul, Total Eclipse, Mary Reilly, Tales From The Vienna Woods and A Doll’s House. He wrote and directed Imagining Argentina, The Secret Agent and Carrington. Television includes: The Thirteenth Tale, “The Ginger Tree,” “Hôtel Du Lac,” “The History Man,” and Able’s Will.

Marco Barricelli* (Director) appeared previously at SCR as Petruchio in The Taming of the Shrew, Salieri in Amadeus and Ben in The Little Foxes. He has appeared on Broadway in Tamara and off-Broadway in Agamemnon. He was the Artistic Director at Shakespeare Santa Cruz 2008-14, an Associate Artist at the American Conservatory Theatre, and spent many seasons at the Oregon Shakespeare Festival. His theatre credits also include Subaru Theatre (Tokyo), Guthrie Theater, Mark Taper Forum (CTG), The Old Globe, La Jolla Playhouse, Long Wharf Theatre, Milwaukee Repertory Theater, Williamstown Theatre Festival, Huntington Theatre Company, Actors Theatre of Louisville, Arizona Theatre Company, Portland Center Stage, Intiman Theatre, Missouri Repertory Theatre, Virginia Stage Company, Indiana Repertory Theatre, Kenyon Festival Theater, the Utah and Illinois Shakespeare Festivals, among many others. Screen credits include Pixar’s Luca and Ciao Alberto, “The Book of Daniel,” Holy Silence, “L.A. Law,” Romeo and Juliet, Manhunt 2, Clandestiny and 11th Hour. He received his training at the Juilliard School and holds an Honorary Degree from American Conservatory Theatre.


Regina Garcia (Scenic Design) is a Chicago-based scenic designer from Puerto Rico. She has had long standing relationships with the Latinx Theatre’s renowned Teatros. Upcoming projects include collaborations with the Goodman Theatre, Chicago, and Geva Theatre in Rochester. Garcia is a Fellow of the NEA/TCG Career Development Program for Designers and a Regional Associate member of the League of Professional Theatre Women. She is a founding member of La Gente: the Latinx Theatre Production Network; and company member with Rivendell Theatre Ensemble and Boundless Theatre Company (NewYork/Puerto Rico). Garcia is the recipient of USITT’s 2025 Distinguished Achievement Award in Scenic Design & Technology. She teaches at The Theatre School, DePaul University.


Alex Jaeger (Costume Design) works nationally as a costume designer as well as teaching at UCLA. Jaeger has designed more than 16 productions for SCR including She Loves Me and Amadeus. Some other credits include Two Sisters and a Piano for The Public Theater in N.Y., Mr. Burns for Guthrie Theater, Other Desert Cities and A Parallelogram for the Mark Taper Forum as well as many productions for the Oregon Shakespeare Festival and A.C.T in San Francisco. Most recently, he has been involved in a multi venue production of a re-imagined Leopoldstadt by Tom Stoppard at Huntington Theatre Company in Boston, Shakespeare Theatre Company in D.C. and Writers Theatre in Chicago. Other local credits include multiple productions for Boston Court Pasadena, Pasadena Playhouse, A Noise Within, Ensemble Theatre and Rubicon Theatre Company. You can see a full resume and photographs at his website alexjaegerdesign.com. He is a member of the USA 829 union.


Josh Epstein (Lighting Design) returns to SCR, where his credits include The Staircase, Galilee, 34, The Canadians, Flora & Ulysses and M. Butterfly. Other notable local productions include Noises Off, The Inheritance, A Wicked Soul on Cherry Hill, The Legend of Georgia McBride (Geffen Playhouse), Cyrano de Bergerac, Little Shop of Horrors, The Fantasticks (Pasadena Playhouse), November, Race (Center Theatre Group). Additionally, his work has been seen in theatres across the country, including the Guthrie Theater, Steppenwolf Theatre, Arena Stage, Goodman Theatre, Trinity Repertory Company, Cincinnati Playhouse, Baltimore Center Stage, and Alliance Theatre. In addition, Epstein is an ensemble member at the IAMA Theatre Company and is on the faculty at Chapman University. He is an LA Ovation and Knight of Illumination Award winner and a Helen Hayes Award nominee. He was a recipient of the NEA/TCG Career Development Program for Designers and served as a Eugene O’Neill Playwrights Conference Artistic Council member for many years. Epstein received his MFA from New York University’s Tisch School of the Arts. He lives in Los Angeles with his wife and three daughters. joshepsteindesign.com


Melanie Chen Cole (Sound Design) is a San Diego based sound designer. SCR credits include The Heart Sellers, The Little Foxes, Appropriate and Where the Mountain Meets the Moon. Regional theatre credits include Alabama Shakespeare Festival, Alley Theatre, Alliance Theatre, Cincinnati Playhouse in the Park, Cleveland Play House, Dallas Theater Center, Denver Center for the Performing Arts, Geffen Playhouse, Goodman Theatre, Huntington Theatre Company, Indiana Repertory Theatre, La Jolla Playhouse, McCarter Theatre, Milwaukee Repertory Theater, Northern Stage, The Old Globe, PlayMakers Repertory Company, Seattle Repertory, Studio Theatre and the Utah Shakespeare Festival. Education: MFA in Theatre and Dance from UC San Diego. melaniesound.com, @melaniechencole.


Michael Polak* (Fight & Intimacy Consultant) is thrilled to be back at SCR having previously choreographed Little Shop of Horrors, Galilee, 34, Quixote Nuevo, Appropriate and The Little Foxes. Other Choreography credits include Seattle Repertory, La Mirada Theatre, Musical Theatre West, North Coast Repertory, Cal State Fullerton, New Swan Theatre, The Electric Theatre Company, and others. As an actor, his New York credits include Soldier’s Wife at the Mint Theatre. Regionally, he has appeared at Rubicon Theatre Company, International City Theatre, Pioneer Theatre Company, Ensemble Theatre Company, Delaware Theatre Company, Northern Stage, Chicago Shakespeare, Philadelphia Theatre Company, Shakespeare Theatre Company, Hartford Stage, Playmaker’s Repertory Theatre, American Conservatory Theatre, Cape Playhouse, and the California, San Francisco, and Texas Shakespeare Festivals, among others. His film and television credits include Mid-Century, 86 Melrose Avenue, “Bel-Air”, and numerous soaps, web series, and shorts. Polak received his MFA from Pennsylvania State University, and his BA from California State University, Fullerton. michaelpolakactorfd.com


Jerry Patch (Dramaturg) served as dramaturg on more than 150 new plays, including the world premieres of Abundance, Freedomland, Golden Child, Intimate Apparel, Search and Destroy, Three Days of Rain, Ruined and Wit. He was the founding project director for South Coast Repertory’s Pacific Playwrights Festival and artistic director of the theatre program of Sundance Institute. A professor of theatre and film, he was consulting dramaturg for Roundabout Theatre Company (New York) for nearly a decade and resident artistic director at The Old Globe in San Diego. He is now artistic consultant for Manhattan Theatre Club where he served over a decade as Director of Artistic Development, and is Resident Dramaturg at SCR.


The Telsey Office (Casting) With offices in both New York and Los Angeles, The Telsey Office casts for theatre, film, television, and commercials. The Telsey Office is dedicated to creating safe, equitable, and anti-racist spaces through collaboration, artistry, heart, accountability, and advocacy. Please visit thetelseyoffice.com for our credits.


Caleb Thomas Cook* (Stage Manager) is a stage manager based in San Diego, and is very excited to be making his South Coast Repertory debut. Past credits include Antony and Cleopatra, Ken Ludwig’s Dear Jack Dear Louise, Henry VIII, Much Ado About Nothing, Richard III, Hamlet, The Price, The Merry Wives of Windsor, The Foreigner, A Midsummer Night’s Dream, William Shakespeare’s Long Lost First Play (abridged), The Cocoanuts, Murder for Two (Utah Shakespeare Festival), A Christmas Carol, Blithe Spirit, Detroit ’67, The Santaland Diaries (Clarence Brown Theatre), Cabaret, Dial M for Murder (The Old Globe), two productions of Seed (Malashock Dance), La Cage Aux Folles (Skylight Music Theatre) and Our Common Nature with Yo-Yo Ma and Rhiannon Giddens (Big Ears Festival). Education: BA from the University of Tennessee, Knoxville, MFA from the University of California San Diego.


Lauren Buangan* (Assistant Stage Manager) is a stage manager based out of the Orange County and Los Angeles area. Her previous SCR stage management credits include Million Dollar Quartet, You Are Cordially Invited To The End Of The World!, Wish You Were Here, Joan, Coleman ’72, A Christmas Carol, Nina Simone: Four Women, among others. She has also served as assistant stage manager at Geffen Playhouse in Los Angeles on Tiny Father, Fat Ham and The Lonely Few. Buangan holds a BA in Theatre from UCLA, a Certificate of Achievement in Film from Orange Coast College, and studied drama at Queen Mary University of London.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

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