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The Theatrical Event of the Season!

Two Tony Award-winning plays performed in repertory, alternating nightly, with one set, overlapping casts and unlimited firepower! One is a celebrated American classic and the other a celebrated smash hit. See them both and experience every exhilarating moment

directed by Lisa Rothe
Segerstrom Stage

Jan. 24-Mar, 21, 2026

SEASON PRODUCER
Apriem Advisors

LEAD REPERTORY PRODUCER
Michael Ray

REPERTORY PRODUCERS
Richard & Lisa Rawlins de Lorimier

HONORARY PRODUCERS
Jean & Tim Weiss

HONORARY PRODUCERS
The Classics

MEDIA PARTNERS
LAist

Support for this production provided by
The Nicholas Endowment

Edward Albee's

WHO'S AFRAID OF VIRGINIA WOOLF?

The New York Times described this American classic as “wry and electric!” In Edward Albee’s landmark drama, George and Martha invite a young couple to their home for a nightcap. As the clock ticks into the wee hours, Nick and Honey find themselves submerged in a cocktail of clever mind games, deep-seated resentments and broken promises. Hilarious and harrowing, this unflinching portrait of a marriage ceaselessly astonishes audiences with its razor-sharp dialogue and thrilling performances.

Previews: Jan. 24-29, 2026
Opening Night: Feb. 6, 2026
Regular Performances: Jan. 31 - Mar. 21, 2026
American Sign Language Performance: Saturday, Mar. 21, 2026 at 2 p.m.

Recommendation: Ages 16+

Running time: Approximately three hours and 15 minutes with two intermissions.

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The Event of the Season Part I

About the Creative Team

Gabriel Gaston

Gabriel Gaston* (Nick) is thrilled to be making his SCR debut. His credits include Camino Real (Williamstown Theatre Festival) and Morning in America (Cherry Lane Theatre). Film and TV includes “Unforgettable” (CBS) and “Gone Hollywood” (FX Pilot). He earned his MFA at The Juilliard School (Group 54).

 


Derek Manson

Derek Manson* (George Understudy) returns to SCR after appearing in last season’s Little Shop of Horrors (Orin). Past SCR credits include Snow White (Four), Tiger Style! (Russ), You’re a Good Man, Charlie Brown (Snoopy) and the 2022 and 2023 Pacific Playwrights Festivals. Recent credits include Musical Theatre West’s Into the Woods (The Baker), and Disney’s Frozen with McCoy Rigby Entertainment in La Mirada. Last fall he was seen in Inkwell Theater’s world premiere play Paper Walls on the Broadwater Main Stage in Hollywood. Los Angeles stage credits include The Bicycle Men, Neil Simon’s Musical Fools, The Gary Plays, Room Service, The 39 Steps, Life Expectancy, The Brat Pack, Love Actually in Concert, Sunny Afternoon, King Dick, 1984, The Bewildered Herd, Making Paradise and Second City This Week. Television and and voice over credits include “Jimmy Kimmel Live!” “The Last Tycoon,” “UnREAL,” and SNL’s “Best of TV Funhouse.”


Kim Martin-Cotten

Kim Martin-Cotten* (Martha) is a producer, director, actor and educator. From Fall of 2021 to Summer of 2025 she held the positions of SCR’s Associate Artistic Director and Co-director of the Pacific Playwrights Festival. Before joining SCR she held the positions of Artistic Producer and Associate Director of New Works for Kansas City Repertory Theatre. Prior to that, as the founding Artistic Producer of Off-Broadway company Hang A Tale, she was producing in New York from 2014 through 2019, developing new work and reimagining classics. As an actor, she has performed regionally across the country, and in New York, she has been seen both off and on Broadway. Her latest work as an actor was covering both Cynthia Nixon and Laura Linney in the rotating roles of Regina and Birdie for the Broadway production of The Little Foxes. She also performed in Merchant of Venice as Portia opposite Al Pacino on Broadway in Lily Rabe’s absence. She was nominated for a Drama Desk Award for her performance as Josie in Moon for the Misbegotten at Pearl Theatre. She has also taught acting at Yale School of Drama. As a director, she recently directed The Old Man and The Old Moon at Outside SCR, and co-directed Million Dollar Quartet. Other directing projects include The Dumbwaiter, Cabaret, Death of A Salesman, Proof and The Taming of the Shrew. She also served as Project Assistant to Anna Deavere Smith on her initial production of House Arrest: First Edition at Arena Stage.


Esther Pielstick

Esther Pielstick (Honey Understudy) (she/her) is making her South Coast Repertory debut and is excited to join Who’s Afraid of Virginia Woolf? She is a second-year MFA Acting student at the University of California, Irvine. A multidisciplinary actor, writer, and producer, her work includes creating and performing in award-winning productions at the Edinburgh Fringe Festival and the Salt Lake City Fringe Festival. Her additional experience includes independent film production, writing, and marketing, with a focus on new-work development. Pielstick is grateful for the opportunity to work with the SCR team and for the support of her family, friends, and her forever teammate, Trevor. Estherpielstick.com


Elysia Roorback

Elysia Roorback* (Honey) holds a BFA from NYU Tisch School of the Arts. During her time at Tisch, she trained at Atlantic Theater Company and in London at the Royal Academy of Dramatic Art. Upon graduating in spring of 2023, she took on the leading role in the world premiere of Las Aventuras de Juan Planchard, a co-production between Tectonic Theater Project and Miami New Drama, directed by Tony Award nominee and Presidential Medal of Arts recipient Moisés Kaufman. She can be seen in the upcoming second season of the Emmy-award winning series “The Pitt,” premiering on HBO Max January 8th. She is thrilled to be working on Who’s Afraid of Virginia Woolf?, her favorite play of all time, here at SCR.


Sharon Sharth

Sharon Sharth* (Martha Understudy) A lifetime member of Actors Studio and the renowned Circle Repertory Company in NYC, she is a notable talent in film, television, and theatre. Sharth developed new plays with Aaron Sorkin, Lanford Wilson, John Pielmeier. On and Off-Broadway, she originated fourteen lead roles and performed at Circle Repertory Company, Manhattan Theatre Club, Cort Theatre, Promenade Theatre, Geffen Playhouse, Mark Taper Forum, The Old Globe, Coachella Valley Repertory, Actors Theatre of Louisville Humana Festival, Yale Repertory Theatre and the Eugene O’Neill Playwrights Conference. She has also toured internationally, most notably in Japan in Sam Shepherd’s Fool for Love, traveling with Edward Albee himself. She starred in Arlene Hutton’s Nibroc Trilogy at Rubicon Theatre Company, which were the first American plays filmed and added to DigitalTheatre.com, a London-based streaming service. Recent film work includes Sundance Festival Directing Winner, Accidental Getaway Driver, Baggage Check with Mira Sorvino and Very Prosperous Men.


Jake Stiel

Jake Stiel (Nick Understudy) is thrilled to be making their debut at South Coast Repertory! Born and raised in New York, Stiel received his BA in Theatre & Performance from Bard College, where he appeared in Three Sisters, directed by Whitney White. After graduating, Stiel moved back to New York City and worked in production and artist relations at Joe’s Pub at The Public Theater, supporting a wide range of multidisciplinary artists and new works. At Joe’s Pub, he contributed to the development and presentation of concerts, theatrical performances, and special events. Stiel is currently pursuing an MFA in Acting at the University of California, Irvine, and will graduate in 2027. @jakestiel


Brian Vaughn

Brian Vaughn* (George) returns to SCR after playing Georg in She Loves Me. He recently finished touring the country in the Tony Award Winning Best Musical Revival of Parade and before that in the Broadway first national tour of Beetlejuice. Recent credits include Sweet Smell of Success at Jazz at Lincoln Center and Claudius in Hamlet at the Denver Center Theatre Company. Vaughn appeared in more than 60 productions in over 25 years at the Utah Shakespeare Festival and 13 years as a Resident Company Member at Milwaukee Repertory Theater. Regional credits include Arizona Theatre Company, Chicago Shakespeare Theater, Milwaukee Chamber Theatre, Northlight Theatre, PCPA, Skylight Music Theatre. Favorite roles include Hamlet, Henry V, Cyrano de Bergerac, Iago in Othello, The Poet in An Iliad, Charlie in Stones in his Pockets, Javert in Les Misérables, Harold Hill in The Music Man and Mozart in Amadeus. brianvaughnofficial.com / @brianvaughn11

Edward Albee (1928-2016) was born on March 12, 1928, and began writing plays 30 years later. His plays include The Zoo Story (1958), The American Dream (1960), Who’s Afraid of Virginia Woolf? (1961-1962, Tony Award), Tiny Alice (1964), A Delicate Balance (1966, Pulitzer Prize; 1996, Tony Award), All Over (1971), Seascape (1974, Pulitzer Prize), The Lady from Debuque (1977-1978), The Man Who Had Tree Arms (1981), Finding the Sun (1982), Marriage Play (1986-1987), Three Tall Women (1991, Pulitzer Prize), Fragments (1993), The Play About the Baby (1997), The Goat, or Who is Sylvia? (2000, 2002 Tony Award), and Occupant (2001). He was a member of the Dramatists Guild Council, and was the president of The Edward F. Albee Foundation. Mr. Albee was awarded the Gold Medal in Drama from the American Academy and Institute of Arts and Letters in 1980, and in 1996 received the Kennedy Center Honors and the National Medal of Arts.

Lisa Rothe (Director) (she/her) is a nationally recognized director and educator. Her productions have been seen at Guthrie Theater, KCRep, Two River Theater, PlayMakers Repertory Company, Cincinnati Playhouse in the Park, TheatreWorks Silicon Valley, People’s Light, Barrington Stage Company, Indiana Repertory Theatre, Virginia Repertory Theatre/Cadence Theatre Company, Chautauqua Theater Company, Irish Repertory Theatre and Epic Theatre Ensemble, among others. Select work includes Steel Magnolias, Fun Home, Cat on a Hot Tin Roof, Indecent and more than twenty productions of the award-winning Hold These Truths by Jeanne Sakata, starring Joel de la Fuente. She has collaborated with a wide range of award-winning writers, including Migdalia Cruz, Ellen McLaughlin, Lucy Thurber, James Still and Margaret Vandenburg, as well as composers Kim Sherman and Peter Foley. Rothe previously served as Director of New Works at Kansas City Repertory Theatre, Director of Global Exchange at The Lark, co-Artistic Director of The Actor’s Center, and Co-President of the League of Professional Theatre Women. She is on faculty at Columbia University’s MFA program and Binghamton University. lisarothe.com


Regina Garcia (Scenic Design) is a Chicago-based scenic designer from Puerto Rico. She has had long standing relationships with the Latinx Theatre’s renowned Teatros. Upcoming projects include collaborations with the Goodman Theatre, Chicago, and Geva Theatre in Rochester. Garcia is a Fellow of the NEA/TCG Career Development Program for Designers and a Regional Associate member of the League of Professional Theatre Women. She is a founding member of La Gente: the Latinx Theatre Production Network; and company member with Rivendell Theatre Ensemble and Boundless Theatre Company (NewYork/Puerto Rico). Garcia is the recipient of USITT’s 2025 Distinguished Achievement Award in Scenic Design & Technology. She teaches at The Theatre School, DePaul University.


Alex Jaeger (Costume Design) works nationally as a costume designer as well as teaching at UCLA. Jaeger has designed more than 16 productions for SCR including She Loves Me and Amadeus. Some other credits include Two Sisters and a Piano for The Public Theater in N.Y., Mr. Burns for Guthrie Theater, Other Desert Cities and A Parallelogram for the Mark Taper Forum as well as many productions for the Oregon Shakespeare Festival and A.C.T in San Francisco. Most recently, he has been involved in a multi venue production of a re-imagined Leopoldstadt by Tom Stoppard at Huntington Theatre Company in Boston, Shakespeare Theatre Company in D.C. and Writers Theatre in Chicago. Other local credits include multiple productions for Boston Court Pasadena, Pasadena Playhouse, A Noise Within, Ensemble Theatre and Rubicon Theatre Company. You can see a full resume and photographs at his website alexjaegerdesign.com. He is a member of the USA 829 union.


Josh Epstein (Lighting Design) returns to SCR, where his credits include The Staircase, Galilee, 34, The Canadians, Flora & Ulysses and M. Butterfly. Other notable local productions include Noises Off, The Inheritance, A Wicked Soul on Cherry Hill, The Legend of Georgia McBride (Geffen Playhouse), Cyrano de Bergerac, Little Shop of Horrors, The Fantasticks (Pasadena Playhouse), November, Race (Center Theatre Group). Additionally, his work has been seen in theatres across the country, including the Guthrie Theater, Steppenwolf Theatre, Arena Stage, Goodman Theatre, Trinity Repertory Company, Cincinnati Playhouse, Baltimore Center Stage, and Alliance Theatre. In addition, Epstein is an ensemble member at the IAMA Theatre Company and is on the faculty at Chapman University. He is an LA Ovation and Knight of Illumination Award winner and a Helen Hayes Award nominee. He was a recipient of the NEA/TCG Career Development Program for Designers and served as a Eugene O’Neill Playwrights Conference Artistic Council member for many years. Epstein received his MFA from New York University’s Tisch School of the Arts. He lives in Los Angeles with his wife and three daughters. joshepsteindesign.com


Melanie Chen Cole (Sound Design) is a San Diego based sound designer. SCR credits include The Heart Sellers, The Little Foxes, Appropriate and Where the Mountain Meets the Moon. Regional theatre credits include Alabama Shakespeare Festival, Alley Theatre, Alliance Theatre, Cincinnati Playhouse in the Park, Cleveland Play House, Dallas Theater Center, Denver Center for the Performing Arts, Geffen Playhouse, Goodman Theatre, Huntington Theatre Company, Indiana Repertory Theatre, La Jolla Playhouse, McCarter Theatre, Milwaukee Repertory Theater, Northern Stage, The Old Globe, PlayMakers Repertory Company, Seattle Repertory, Studio Theatre and the Utah Shakespeare Festival. Education: MFA in Theatre and Dance from UC San Diego. melaniesound.com, @melaniechencole.


Michael Polak* (Fight & Intimacy Consultant) is thrilled to be back at SCR having previously choreographed Little Shop of Horrors, Galilee, 34, Quixote Nuevo, Appropriate and The Little Foxes. Other Choreography credits include Seattle Repertory, La Mirada Theatre, Musical Theatre West, North Coast Repertory, Cal State Fullerton, New Swan Theatre, The Electric Theatre Company, and others. As an actor, his New York credits include Soldier’s Wife at the Mint Theatre. Regionally, he has appeared at Rubicon Theatre Company, International City Theatre, Pioneer Theatre Company, Ensemble Theatre Company, Delaware Theatre Company, Northern Stage, Chicago Shakespeare, Philadelphia Theatre Company, Shakespeare Theatre Company, Hartford Stage, Playmaker’s Repertory Theatre, American Conservatory Theatre, Cape Playhouse, and the California, San Francisco, and Texas Shakespeare Festivals, among others. His film and television credits include Mid-Century, 86 Melrose Avenue, “Bel-Air”, and numerous soaps, web series, and shorts. Polak received his MFA from Pennsylvania State University, and his BA from California State University, Fullerton. michaelpolakactorfd.com


Jerry Patch (Dramaturg) served as dramaturg on more than 150 new plays, including the world premieres of Abundance, Freedomland, Golden Child, Intimate Apparel, Search and Destroy, Three Days of Rain, Ruined and Wit. He was the founding project director for South Coast Repertory’s Pacific Playwrights Festival and artistic director of the theatre program of Sundance Institute. A professor of theatre and film, he was consulting dramaturg for Roundabout Theatre Company (New York) for nearly a decade and resident artistic director at The Old Globe in San Diego. He is now artistic consultant for Manhattan Theatre Club where he served over a decade as Director of Artistic Development, and is Resident Dramaturg at SCR.


The Telsey Office (Casting) With offices in both New York and Los Angeles, The Telsey Office casts for theatre, film, television, and commercials. The Telsey Office is dedicated to creating safe, equitable, and anti-racist spaces through collaboration, artistry, heart, accountability, and advocacy. Please visit thetelseyoffice.com for our credits.


Caleb Thomas Cook* (Stage Manager) is a stage manager based in San Diego, and is very excited to be making his South Coast Repertory debut. Past credits include Antony and Cleopatra, Ken Ludwig’s Dear Jack Dear Louise, Henry VIII, Much Ado About Nothing, Richard III, Hamlet, The Price, The Merry Wives of Windsor, The Foreigner, A Midsummer Night’s Dream, William Shakespeare’s Long Lost First Play (abridged), The Cocoanuts, Murder for Two (Utah Shakespeare Festival), A Christmas Carol, Blithe Spirit, Detroit ’67, The Santaland Diaries (Clarence Brown Theatre), Cabaret, Dial M for Murder (The Old Globe), two productions of Seed (Malashock Dance), La Cage Aux Folles (Skylight Music Theatre) and Our Common Nature with Yo-Yo Ma and Rhiannon Giddens (Big Ears Festival). Education: BA from the University of Tennessee, Knoxville, MFA from the University of California San Diego.


Kathryn Davies* (Assistant Stage Manager) previously stage-managed Million Dollar Quartet, Little Shop of Horrors, The Old Man and The Old Moon, You’re a Good Man, Charlie Brown, The Velveteen Rabbit, Poor Yella Rednecks, Orange, The Roommate, All the Way, Red, Vietgone, The Whipping Man, Tartuffe, Reunion, Trudy and Max in Love, The Motherf**ker with the Hat, Sight Unseen, Topdog/Underdog, In the Next Room or the vibrator play, Doctor Cerberus, Ordinary Days and Our Mother’s Brief Affair—all at SCR. Recent credits include La Bohème at LA Opera, The Play That Goes Wrong and Fiddler on the Roof for McCoy Rigby Entertainment at La Mirada Theatre, Don Giovanni at San Diego Opera and The Barber of Seville at LA Opera. Her favorite credits include Dividing the Estate at Dallas Theater Center; Rigoletto at Tulsa Opera; The Mystery of Irma Vep at The Old Globe; Les Contes D’Hoffmann at Hawai’i Opera Theatre; Of Mice and Men at Neptune Theatre and To Kill a Mockingbird at Citadel Theatre. Davies also worked as head theatre manager at the Toronto International, Dubai International, AFI, TCM and Los Angeles film festivals.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

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