SCR Blog

Learn why Artistic Director David Ivers ​chose Moye to helm Outside SCR’s production of Million Dollar Quartet.

It was a throw-away line in the end of a story and a line in a photo caption. From such seemingly innocent actions come the names of hit Broadway musicals.

The task facing Scenic Designer Tom Buderwitz when he took over the scenic design for A Christmas Carol in 2002 was challenging—and counterintuitive.

Actor Michael Manuel stepped into the role of Jacob Marley’s Ghost for the first time this year and fills us in on this moment in the play.

Ebenezer Scrooge is visited by four spirits who aim to change his ways and save him from a lonely, haunted end. Learn more about them.

he last time Richard Soto appeared in SCR’s A Christmas Carol was 2004. And it took a medical emergency to get him in the cast.

When it comes to this holiday favorite, Hisa Takakuwa defines knowledge. Learn why in this interview.

​Everything that comes with creating, maintaining and fitting costumes starts with Costume Supervisor Amy Hutto.

Even though the pandemic has brought changes to how you currently watch a play​ the basics of theatre remain the same.

Allison Gregory chats with Associate Artistic Director and Production Dramaturg John Glore about inspiration and her writing process.

​In this show-and-tell, Jen Stringfellow, South Coast Repertory's scenic charge artist, shares how her team created the realistic textures of tree bark found on the set of Red Riding Hood.

​SCR has returned to producing theatre—creating and filming the Theatre for Young Audiences Family show, Red Riding Hood. Learn how SCR safely created the environment for the play.